Delhi High Court to Examine Meta's Suspension of Saurabh Maurya's Instagram Over Copyright Strikes

The Delhi High Court has agreed to examine a critical question: whether social media platforms can suspend or delete user accounts based solely on copyright strikes, without proper verification of ownership. The matter arose after content creator Saurabh Maurya’s Instagram account was suspended following copyright claims that later turned out to be fabricated. Justice Anup Jairam Bhambhani directed the parties to address whether such suspensions align with the principles laid down by the Supreme Court in Shreya Singhal v. Union of India and the Delhi High Court in Myspace Inc. v. Super Cassettes Industries Ltd. . The court also recorded Meta’s statement that Maurya’s account had been restored, but the broader legal issue remains unresolved.

The Incident: A Case of Fake Strikes

Saurabh Maurya, a content creator, found his Instagram account disabled after third parties uploaded his videos to other platforms, manipulated the upload dates, and then issued copyright strikes claiming ownership of the same content. Acting on these claims, Meta suspended Maurya’s account despite his assertions that he was the original creator. During the hearing, Meta informed the court that the copyright strikes had been found to be fake, and both the strikes and the account were subsequently reversed and restored. However, Maurya’s legal team argued that restoration alone does not address the systemic flaws in the copyright-strike mechanism used by intermediaries.

The Legal Question: Safe Harbour and Due Process

At the core of the dispute is the interpretation of the safe harbour provisions under the Information Technology Act and the Copyright Act. Senior advocate Diya Kapur, appearing for Maurya, contended that the standard operating procedure followed by intermediaries like Meta is based on an incorrect reading of the Supreme Court’s decision in Shreya Singhal and the Delhi High Court’s ruling in Myspace . She argued that an intermediary cannot suspend an account merely on the basis of an unverified copyright strike while still claiming the benefits of safe harbour immunity. “Here people are purporting to be copyright owners. They are sending notices, this entire mechanism is being abused. I am the owner of copyright. Somebody says I made this so remove it then the platform removes it. I have to keep writing to them then come to court for restoration. How does an intermediary take a call to remove the channel, videos? This is in the face of Shreya Singhal . Every influencer channel is going off,” Kapur submitted.

Kapur suggested that the Myspace judgment should be clarified to the effect that only a registered copyright owner—or a person declared by a court as the copyright owner—can trigger a copyright strike on grounds of infringement. This would prevent abuse by individuals who falsely claim ownership, a problem that disproportionately affects independent creators who lack the resources to contest takedowns.

The Court’s Direction

Taking note of the submissions, Justice Bhambhani directed the defendants to specifically address the issue in their replies. The court also recorded Meta’s statement that Maurya’s account had been restored. The matter has been posted for further hearing on September 24. The court’s willingness to examine the copyright-strike mechanism signals a potential shift in how intermediary liability is enforced in India, particularly with respect to user-generated content platforms.

Background: The Safe Harbour Framework

The safe harbour principle, codified under Section 79 of the Information Technology Act, 2000, protects intermediaries from liability for third-party content as long as they observe due diligence and act expeditiously upon receiving actual knowledge of infringement. In Shreya Singhal , the Supreme Court interpreted this to mean that intermediaries must act only upon a court order or a notification from a government authority, not merely on the say-so of any third party. The Myspace decision further elaborated on the obligations of intermediaries in the context of copyright infringement, but it did not specifically address the validity of account suspension as a response to copyright claims.

The present case exposes a gap in the law: while intermediaries are granted protection for “removing or disabling access” to allegedly infringing content, they are not explicitly authorised to terminate whole accounts based on unverified claims. This has practical consequences for creators, who may lose their entire online presence—and livelihood—over a single disputed video or a coordinated strike campaign.

The Broader Impact on Content Creators

The issue is not academic. With the rise of influencer marketing and the creator economy, social media platforms have become vital commercial channels. An account suspension can lead to loss of income, loss of audience, and irreparable reputational damage. The fact that the strikes in Maurya’s case were later proved to be fake only underscores the vulnerability of creators to malicious or automated takedown requests. Many copyright owners—or those falsely claiming to be owners—use the strike mechanism as a weapon to silence competition or to extort content, knowing that platforms often default to removal to maintain their safe harbour protections.

If the Delhi High Court accepts the argument that only a registered owner or a court-declared owner can file a strike, it would introduce a much-needed safeguard. It would compel platforms to verify the identity and ownership claims of the complainant before disabling an account, thereby reducing the incidence of wrongful suspensions. Alternatively, the court might direct platforms to provide a more transparent appeals process, or to limit the consequences of a strike to removal of specific content rather than suspension of the entire account.

Legal Analysis and Precedents

The court’s reference to Shreya Singhal is significant. That case concerned the constitutionality of Section 66A of the IT Act and also laid down guidelines for intermediary liability. The Supreme Court held that “actual knowledge” must be interpreted as “actual knowledge of a court order or a notification by the appropriate authority,” not merely any complaint from a private party. Applying that logic to copyright strikes, a platform receiving a takedown notice from a private individual may not have “actual knowledge” sufficient to justify terminating a user’s account, especially when the user disputes ownership. The Myspace case dealt with the liability of an intermediary for hosting infringing content and the availability of safe harbour, but it did not specifically address the consequences for the user whose content is taken down.

By asking the parties to address these precedents, the court is likely considering whether the copyright-strike mechanism, as currently practised, violates the due process rights of users. The outcome could reshape the relationship between intermediaries and their users, particularly in the digital rights sphere.

Potential Ramifications

If the court clarifies the law, it could have several effects: - Clearer standards : Intermediaries would need to establish more rigorous procedures for verifying copyright claims before they disable accounts. - Reduced abuse : Fake strikes would become less effective, as claimants would need to provide evidence of registration or a court order. - Enhanced protections : Content creators would gain a statutory or judicially-recognised right to be heard before their accounts are suspended. - Compliance burden : Platforms may face higher operational costs to implement verification mechanisms, but this could be offset by fewer disputes and legal challenges.

The Delhi High Court’s decision will be closely watched by legal practitioners, technology companies, and the vast community of online creators. It has the potential to set a precedent for how India balances the protection of intellectual property with the rights of internet users.

Conclusion

The case of Saurabh Maurya v. Meta is not just about one restaurateur’s account; it is a test of whether the legal framework can adapt to the realities of the digital economy. As the hearing resumes on September 24, all eyes will be on the Delhi High Court to see if it will establish a more equitable and accountable system for copyright enforcement in cyberspace. For now, creators and platforms alike await clarity on a mechanism that affects millions of accounts daily.