Calcutta High Court
P. C. BOROOAH, J.
Mrs. Usha Uthup - Appellant
Versus
State of W.B. - Respondents
Matter No. 1013 of 1983
Decided On : 1 September 1983
MAHAJATI SADAN ACT - SECTION 17(1), 17(2)(H), 18 - CONSTITUTION OF INDIA - ARTICLES 12, 14, 19(1)(A), 19(1)(G) - WRIT PETITION - SINGER - BLACKLISTING - FREEDOM OF SPEECH AND EXPRESSION - DISCRIMINATION - ULTRA VIRES - CONTEMPT OF COURT - JUDICIAL REVIEW - PUBLIC HALL - FUNDAMENTAL RIGHTS - NATURAL JUSTICE - REASONABLE RESTRICTION - PUBLIC AUTHORITY - STATE - POP SONGS - DISCO SONGS - FUNDAMENTAL RIGHT TO PRACTISE PROFESSION - FREEDOM OF SPEECH AND EXPRESSION - FREEDOM OF THE PRESS - BLACKLISTING - UNIFORM POLICY - MOULDING OF RELIEF - CONTEMPT OF COURTS ACT - COMITY BETWEEN JUDICIARY AND EXECUTIVE.
Fact of the Case:
The petitioner, a renowned singer, was denied permission to perform in the Mahajati Sadan Hall, a public hall under the control of the State Government, due to her alleged singing of pop and disco songs, which were deemed to be "APASANSKRITI" (perverted culture) by the Minister-in-Charge of the Public Works Department. The petitioner challenged this denial of access to the hall, alleging violation of her fundamental rights under Articles 14, 19(1)(a), and 19(1)(g) of the Constitution of India.
Finding of the Court:
The court held that the Mahajati Sadan Board of Trustees, as a statutory body, was a "State" under Article 12 of the Constitution and thus amenable to the writ jurisdiction of the court. The court further held that the denial of access to the hall without giving the petitioner an opportunity to be heard violated the principles of natural justice. The court also held that the petitioner's right to freedom of speech and expression under Article 19(1)(a) was violated as the arbitrary denial of access to the hall amounted to a restriction on her right to sing and perform. Additionally, the court held that the petitioner's right to practise her profession under Article 19(1)(g) was also violated as the denial of access to the hall affected her ability to earn a living through her singing.
Issues: 1. Whether the Mahajati Sadan Board of Trustees is a "State" under Article 12 of the Constitution of India? 2. Whether the denial of access to the Mahajati Sadan Hall to the petitioner without giving her an opportunity to be heard violated the principles of natural justice? 3. Whether the denial of access to the Mahajati Sadan Hall to the petitioner violated her right to freedom of speech and expression under Article 19(1)(a) of the Constitution of India? 4. Whether the denial of access to the Mahajati Sadan Hall to the petitioner violated her right to practise her profession under Article 19(1)(g) of the Constitution of India? 5. Whether the resolution passed by the Mahajati Sadan Board of Trustees banning the performance of pop and disco songs in the hall was ultra vires the Mahajati Sadan Act? 6. Whether the statements made by the Minister-in-Charge of the Public Works Department to the press were contemptuous of the court?
Ratio Decidendi: 1. The court held that the Mahajati Sadan Board of Trustees, as a statutory body created by the Mahajati Sadan Act, was an instrumentality or agency of the State Government and thus fell within the definition of "State" under Article 12 of the Constitution of India. 2. The court held that the denial of access to the Mahajati Sadan Hall to the petitioner without giving her an opportunity to be heard violated the principles of natural justice as enshrined in Article 21 of the Constitution of India. 3. The court held that the denial of access to the Mahajati Sadan Hall to the petitioner violated her right to freedom of speech and expression under Article 19(1)(a) of the Constitution of India as the arbitrary denial of access to the hall amounted to a restriction on her right to sing and perform. 4. The court held that the denial of access to the Mahajati Sadan Hall to the petitioner violated her right to practise her profession under Article 19(1)(g) of the Constitution of India as the denial of access to the hall affected her ability to earn a living through her singing. 5. The court held that the resolution passed by the Mahajati Sadan Board of Trustees banning the performance of pop and disco songs in the hall was ultra vires the Mahajati Sadan Act as the Board did not have the power to regulate the purposes for which the hall could be used. 6. The court held that the statements made by the Minister-in-Charge of the Public Works Department to the press were contemptuous of the court, but refrained from taking action under the Contempt of Courts Act in order to maintain comity between the Judiciary and the Executive.
Final Decision: The court quashed the resolution passed by the Mahajati Sadan Board of Trustees banning the performance of pop and disco songs in the hall and directed the Board to consider any future applications by the petitioner for use of the hall in accordance with law, subject to availability and police permission. The court also reprimanded the Minister-in-Charge of the Public Works Department for his contemptuous statements to the press.
ORDER :- The petitioner Sm. Usha Uthup does not require any introduction to the music loving people of India and also in many countries abroad. By her songs numerous charities, including those under the Red Cross, the Chief Minister of West Bengal, the Indian Navy and Mother Teresa have been benefited. She has sung on television from all centres viz., Delhi, Bombay, Calcutta and Madras and also in the National Programme telecast from Delhi through different centres. She has also been seen and beard on television in Singapore, Hong Kong and in the United States of America. She is also a regular singer from various centres of All India Radio. She bas sung in many of the public balls in Calcutta, including those owned and managed by the State Government and in her functions various dignitaries including the present and past Governors s of West Bengal, the Chief Minister of West Bengal and Mother Teresa had been present. Many of her records, both in long play and extended play, have been released in English, Hindi, Bengali and other Indian languages. She has also bad the privilege of performing before the President of Kenya, the Prime Minister of Mauritius and before the. Members of the British Houses of Parliament. No one in India or outside has till now objected to her songs or to the manner of her singing, till like a bolt from the blue came a purported statement from Shri Jatin Chakravcrty, Minister-in-Charge of the Public Works Department of the Government of West Bengal (the respondent No. 5) and which was published in the Ananda Bazar Patrika on May 20, 1983. According to the said press statement, a copy of which and an English translation whereof have bees, set cut in para 11 of the writ petition, the respondent No. 5 as The Chairman of the Board of Trustees of the Mahajad Sadan did not allow the petitioner to perform in the said Hall as her songs and other performances of Disco are perverted culture (APASANSKRITI) and the tastes of those persons who sing such songs are very low and those who listen to such songs are also depraved. This publication was followed by a meeting between the petitioner and the said respondent at the Writers Buildings where the same views were alleged to have been expressed by the respondent. The text of the purported conversation at the said meeting has been set out in paragraph 12 of the writ petition. Thereafter in the issue of the Telegraph of June 18. 1983 an interview between Shri Jatin Chakravorty and Shri Tarun Ganguly, a correspondent of the (paper) entitled Poor Cultural Taste has been set out in para 14 of the writ petition. In course of the said interview the respondent No. 5 is alleged to have stated to Shri Ganguly:
"I have already told you that in the matter of Sadan Hall, I have used my discretion as the Chairman of the Board of Trustees. Why does she insist on performing in Government sponsored or Government-run halls? Why does not Mrs. Uthup go for the private theatres in the city? So far as I am concerned, we cannot allow her in Mahajati Sadan, Rabindra Sadan and the University Institute". In the said interview in answer to a question put by Shri Ganguly as to what was his main grudge against disco music? The answer was: "You see this sort of music was given a boost during the Emergency to degrade Bengali culture. It kills our noble tradition of Ramakrishna and Vivekananda. It is a planned move to tender the Bengali youth backboneless and it affects the moral fibre."
2. On May 18, 1983 Sm. Gita De, the Assistant Secretary of the Binodini Satya Gosthi of 5, Wards Institution Street, Calcutta went to the Mahajati Sadan, and in the absence of the Secretary of the Sadan requested an employee for the use of the Hall for staging a charity performance in which the petitioner would perform, inter alia, to raise funds for a bed for indigent artistes in the, Behala Cancer Hospital, when she was told that no function of Sm. Usha Uthup could be held in the said Hall. On Jan. 16, 198
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