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2025 Supreme(Online)(Del) 6679

IN THE HIGH COURT OF DELHI AT NEW DELHI
Manmeet Pritam Singh Arora, J
SHYAM BHARTEEY – Appellant
Versus
CENTRAL BOARD OF FILM CERTIFICATION REGIONAL OFFICER DELHI & ANR. – Respondent
RFA-IPD 1/2023



Advocates:
For the Appellants/Petitioners: Appellant in person
For the Respondents: Mr. Ripudaman Bhardwaj, CGSC with Mr. Amit Kumar Rana

The court upheld that artistic expression can be restricted under law, emphasizing that films promoting violence or communal disharmony are not suitable for public exhibition.

Headnote:(A) Cinematograph Act, 1952 - Section 5C - Film Certification - Appeal against refusal of film certification by CBFC for the film ‘Masoom Kaatil’ on grounds of portrayal of extreme violence and incitement of social unrest. The Court found that the reasons provided by the Examining and Revising Committees aligned with 1991 guidelines, which prohibit glorifying violence and communal sentiments. The film’s narrative of vigilantism emphasized the danger of normalizing violence, particularly involving minors, and hence was not fit for public exhibition. (Paras 11, 12, 13)

(B) Freedom of Speech - Artistic expression is subject to reasonable restrictions concerning decency and public order, underscoring the incompatibility of the film’s content with societal values and legal framework. (Paras 12.4)

Facts of the case:
The appellant challenged the refusal of CBFC to certify his film ‘Masoom Kaatil’, claiming unjustified reasons highlighted by the Revising Committee for refusing certification. Various allegations were made against the CBFC’s assessment of the film’s content.

Findings of Court:
The Court upheld the findings of the CBFC, stating that the film failed to meet the certification requirements due to violent and communal content.

Issues: The crux of the case revolved around the appropriateness of the film’s portrayal of violence and its implications for public morality and social harmony.

Ratio Decidendi: The Court maintained that artistic expression must align with societal standards, noting the harm in promoting vigilantism through visual media. The governing statute and rules guide the assessment of films to prevent public harm.

Result: Appeal dismissed.

Table of Content
1. appeal process after abolishing the fcat. (Para 1 , 2)
2. appellant's claims on film certification. (Para 3)
3. respondents' stance on film certification criteria. (Para 4)
4. respondents outline legal framework for film certification. (Para 5)
5. reasons for refusal of film certification. (Para 6 , 10)
6. court reaffirms need for film regulation under 1991 guidelines. (Para 9)
7. final ruling on appeal and justification. (Para 11 , 12)

JUDGMENT

MANMEET PRITAM SINGH ARORA, J:

1. The present appeal was earlier filed as a writ petition under Article 226 of the Constitution of India seeking to raise a challenge to the refusal of grant of certification of the Central Board of Film Certification (‘CBFC’) for public exhibition of the Appellant’s film i.e., ‘Masoom Kaatil’ (Hindi).

2. This Court vide order dated 02.12.2022 observed that under Section 5C of the Cinematograph Act, 1952 (‘Act of 1952’), an appeal would lie challenging an order refusing to grant a film certificate. It was observed that earlier the said appeal used to lie before the Film Certification Appellate Tribunal (FCAT) constituted under Section 5D of the Act of 1952. The Court further observed that upon enactment of the Tribunal Reforms Act, 2021 the FCAT has since been abolished, the appeal would lie to the High Court.

2.1. The Court referred to the Office Order issued by Hon’ble the Chief Justice of this Court dated 07.07.2021whereby any appeal under Section 5C of the Act of 1952, until the framing of the Rules in that regard was to be registered as ‘RFA-IPD’.

2.2. In the light of the said observation the original writ petition filed was directed to be renumbered as ‘RFA-IPD 01/2023’.

Appellant’s Case

3. The Appellant herein is the proprietor of M/s Sanvika Production (New Delhi) and has produced and directed a total of three (3) Hindi Films. The subject matter of the present appeal is the third Film produced and directed by the Appellant i.e., ‘Masoom Kaatil’ (‘subject matter film’).

3.1. The Appellant applied to the CBFC for certification of the subject matter film on 09.08.2022, the said application is annexed with the appeal as ‘Annexure 1’. It is stated that the Appellant also paid the requisite fee of Rs. 23,800/- along with the said application.

3.2. The subject matter film was examined by the Examining Committee at Delhi and the Chairperson on his own accord referred the film for further examination to the Revising Committee under Rule 24(1) of the Cinematograph (Certification) Rules, 1983 (‘Rules of 1983’). The said information was given to the Appellant vide letter dated 24.08.2022 addressed by the Regional Officer, CBFC Delhi.

3.3. It is stated that before issuing the said letter to the Appellant the concerned person from the CBFC, Delhi on 18.08.2022 had a conversation with the Appellant, wherein the Appellant was verbally advised that the subject matter film is not worth giving the film certificate for reasons recorded in the examination report of the Examining Committee and therefore, the film is being sent to the Revising Committee at Mumbai for further examination. It is stated that the Appellant herein infact requested the concerned person at CBFC, Delhi to suggest some cuts in the film and give a certificate under ‘A’ category instead of ‘U/A’ category, but the said request of the Appellant was not acceded to.

3.4. It is stated that the re-screening of the Appellant’s film was done by the Revising Committee on 08.09.2022 at Mumbai. It is stated that the said Revising Committee refused to give certificate to the Film of the Appellant vide impugned order dated 19.09.2022 and enlisted the reasons for not granting certificate to the subject matter film. The said reasons were to the effect that the (i) film justifies vigilantism; (ii) film is communal in its portrayal; (iii) film is full of gruesome violence, killings, human cannibalism, expletives; (iv) film shows extreme violence on animals, communal and cast remarks; (v) film denigrates religion

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