IN THE HIGH COURT OF DELHI
Jyoti Singh, J.
JA Entertainment Pvt. Ltd. - Appellant
Versus
Sithara Entertainment - Respondent
CS(COMM) 191 of 2022
Decided On : 11-07-2022
| Table of Content |
|---|
| 1. plaintiff seeks copyright protection. (Para 1 , 2 , 3 , 4 , 5 , 6) |
| 2. plaintiff asserts exclusive remake rights. (Para 7 , 8 , 9 , 10 , 11 , 12) |
| 3. defendant no. 1 argues its rights in telugu remake. (Para 13 , 14 , 15 , 16 , 17 , 18 , 19 , 20 , 21 , 22 , 23 , 24) |
| 4. court examines provisions of copyright act. (Para 25 , 26 , 27 , 28 , 29 , 30 , 31 , 32 , 33 , 34) |
| 5. court analyzes assignment rights. (Para 35 , 36 , 37 , 38 , 39 , 40) |
| 6. court assesses plaintiff's claim of infringement. (Para 41 , 42 , 43 , 44 , 45) |
| 7. court refutes plaintiff's claims. (Para 46 , 47 , 48 , 49) |
| 8. injunction vacated; plaintiff's claims dismissed. (Para 50 , 51 , 52 , 53 , 54) |
JUDGMENT
Jyoti Singh, J.
I.A. 4813/2022 (under Order 39 Rules 1 and 2, CPC, by Plaintiff) 6039/2022 (under Order 39 Rule 4, CPC, by Defendant No.1), 6078/2022 (under order 39 Rule 4, CPC, by Defendant No.2)
1. Present suit has been filed by the Plaintiff seeking permanent injunction restraining Defendants No. 1 and 2 and all others acting on their behalf from making, producing, exhibiting or communicating to the public the suit film (as described hereinafter) or any part thereof in any manner, including but not limited to theatres, television, OTT platforms, etc., so as to infringe Plaintiff's copyright in respect of Remake and Dubbing Rights of the Malayalam film in Hindi language.
2. Case of the Plaintiff as set out in the plaint is that in or around March, 2020, Plaintiff's creative team came across a Malayalam film `Ayyappanum Kozhiyum', which was released on 07.02.2020 and was a huge success commercially. Plaintiff decided to remake the film in Hindi language and being a commercially lucrative venture, Plaintiff approached the producer of the film, i.e., Defendant No. 3 and Late Kovakattu (Defendant No. 4 herein is the wife of Late Kovakattu) and sought assignment of Hindi Remake Rights in the Malayalam film.
3. Pursuant to negotiations, an Assignment Agreement was executed on 13.05.2020, between Plaintiff and Defendant No. 3 and Late Kovakattu, under which Hindi Remake Rights in the Malayalam film were assigned to the Plaintiff. It is averred that under the said Agreement, Plaintiff was assigned the exclusive, perpetual and irrevocable `Remake and Dubbing' rights, to be exercised in all modes, mediums and formats. The rights assigned, to the extent relevant for the present case included: (a) the sole right to make a new cinematograph film based on the Malayalam film in Hindi language; (b) right to dub the Malayalam film as well as the Hindi remake in any or all languages; and (c) right to subtitle in any language for any purpose through any media. Around July, 2020 Plaintiff commenced pre-production of the Hindi Remake in accordance with rights granted under the Agreement dated 13.05.2020.
4. On or around 04.03.2022, Plaintiff came across a trailer of a Telugu film on YouTube, titled `Bheemla Nayak' (hereinafter referred to as the `suit film'), dubbed in Hindi, though the release date was not announced. Since this indicated a potential infringement of Plaintiff's rights, Plaintiff immediately enquired from Defendant No. 3 about the nature of rights assigned to Defendant No. 1, i.e., the producer of the suit film. Defendant No. 3, in response, clarified that only limited rights had been assigned to Defendant No. 1 to remake the Malayalam film in Telugu language and also supplied a copy of Assignment Agreement dated 18.03.2020, executed between Defendant No. 3 and Defendant No. 1.
5. Plaintiff was categorically informed that Defendant No. 1 wanted to expand the scope of rights under the Agreement dated 18.03.2020 and had circulated an amended version of the Agreement to include clause 3, so as to acquire rights of dubbing beyond the Telugu language, but Defendant No. 3 had refused to execute an amended Agreement.
6. However, on learning that exploitation rights of the suit film had been assigned to one Goldmine Telefilms Pvt. Ltd., Plaintiff sent
The court ruled that the defendants' exclusive rights to the Telugu film, including dubbing, did not infringe the plaintiff's distinct rights under the Copyright Act regarding Hindi remake and dubbin....
Producer being author of a cinematograph film has all rights in film as conferred under Section 14(d)(iii) of Act, including right to dub and subtitle, subject, however, to any restrictive condition(....
The court affirmed that copyright rights must be explicitly defined, and the authorization for theatrical and satellite exhibition are separate, concluding the plaintiff could not claim satellite rig....
The main legal point established in the judgment is the requirement for a plaintiff to prove their right to copyright ownership and exploitation rights, as well as the necessity to comply with the pr....
Ownership of copyright, validity of assignment agreements, and entitlement to relief of declaration and damages under the Copyright Act, 1957.
The main legal point established in the judgment is the absolute and indefinite assignment of sound recording rights in cinematograph films, granting the appellant exclusive rights to play, use, and ....
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