Supreme Court stays Calcutta High Court order mandating copyright licence for hotel cable TV

The Supreme Court of India has stepped into a contentious copyright dispute, granting an interim stay on a Calcutta High Court judgment that required hotels to obtain a separate copyright licence for music and literary works played through cable television in guest rooms. The stay, issued in response to a special leave petition filed by Hotel Appolo and Tours Private Limited, temporarily relieves the hospitality sector from the burden of dual licensing while the apex court examines the legal questions involved.

The dispute originated when the Indian Performing Right Society (IPRS), a copyright society representing authors, composers, and publishers, sued Hotel Appolo in 2023. IPRS alleged that the hotel, which operates a property in Darjeeling, was communicating copyrighted literary and musical works to its guests through television sets installed in each room without obtaining a licence or paying royalties. The society sought an injunction to restrain the hotel from using its members’ works in such a manner.

The District Court at Darjeeling, however, refused to grant interim relief in September 2024, leading IPRS to appeal before the Calcutta High Court. In an August 2023 ruling—now stayed—the High Court held that hotels providing cable TV facilities in their rooms cannot avoid paying royalties to copyright holders merely because the cable operator has obtained a licence from the copyright society. The bench reasoned that the communication of copyrighted works to hotel guests, who constitute a “public” within the meaning of the Copyright Act, 1957, requires a separate authorization from the copyright owner or its representative.

Challenging that decision, Hotel Appolo moved the Supreme Court through advocate Yashwant Singh. The hotel’s plea emphasised that it “plays no music, and operates no facility where music could be played like a discotheque or a banquet hall.” Instead, it had simply subscribed to cable television connections from a licensed cable operator and placed television sets in its guest rooms—a practice common among hotels across India. The hotel argued that it had already paid subscription charges to cable operators who held the necessary broadcast rights, and that requiring it to pay IPRS separately or secure a second copyright licence would amount to an unjustified double payment.

The Supreme Court, after hearing initial arguments, stayed the operation of the Calcutta High Court’s interim order, thereby restoring the status quo pending a final adjudication. The stay indicates that the apex court finds merit in the hotel’s contention that the legal issue—whether the mere provision of cable TV in hotel rooms constitutes “communication to the public” under Section 2(ff) of the Copyright Act—requires a deeper examination.

Background: The Copyright Framework and Hotel Liability

The Copyright Act, 1957 grants authors and owners exclusive rights to communicate their works to the public. The term “communication to the public” has been interpreted broadly to include any transmission or diffusion of a work, whether by wire or wireless means, that makes the work available to a group of persons. Over the years, courts have grappled with the question of when a hotel room qualifies as part of the “public” for copyright purposes.

In several jurisdictions, the playing of music or television broadcasts in commercial establishments such as hotels, restaurants, and waiting rooms has been held to require a separate public performance licence, even if the underlying broadcast is itself licensed. The rationale is that the establishment derives a commercial benefit from the exposure of the work to its patrons, thereby creating a new “performance” that goes beyond the original broadcast.

In India, the Calcutta High Court’s August ruling appeared to align with this line of reasoning, finding that hotel guests are members of the public and that the hotel—by facilitating their access to the works—is effectively communicating those works to a new audience. However, the hotel’s appeal raises a critical distinction: the cable operator had already obtained a licence from IPRS (or its members) for the broadcast. The hotel argued that it was merely a passive recipient of the broadcast signal, akin to an end-user, and that requiring it to pay again would undermine the principle of exhaustion and the licensee’s right to distribute.

Legal Analysis: The Staying Power of the Supreme Court

The Supreme Court’s decision to stay the High Court’s order is significant for several reasons. First, it signals that the apex court is not convinced that the High Court’s interpretation is beyond reproach. The stay effectively preserves the hotel’s position until a full hearing, which may take months or even years. Second, it highlights the tension between the rights of copyright societies to enforce exclusivity and the practical realities of businesses that rely on standard cable television services.

Under Section 31(1)(b) of the Copyright Act, a compulsory licence can be issued if the owner of a copyright refuses to allow communication to the public by means of a broadcast. The case also touches upon the scope of “cable operator” licences under the Copyright Rules and the Telecom Regulatory Authority of India (TRAI) regulations. The petitioner’s argument that it has already paid the cable operator, who in turn pays IPRS, raises the spectre of double recovery if the hotel is also required to pay.

Moreover, the Supreme Court’s stay may have a ripple effect on pending litigation involving other hotels and similar establishments nationwide. Until a final decision is rendered, hotels can continue to provide cable TV without fear of infringement actions based solely on the absence of a separate copyright licence. However, copyright societies like IPRS may seek to challenge the stay or expedite the final hearing.

Impact on Legal Practice and the Hospitality Industry

For legal practitioners, this case underscores the importance of advising clients in the hospitality sector on the nuances of copyright licensing. Until the Supreme Court clarifies the law, hotels and other commercial premises (such as hospitals, gyms, and waiting rooms) should review their existing arrangements with cable operators. If the operator’s licence explicitly covers public performance in commercial premises, no further licence may be necessary. But if the licence is limited to domestic reception, the establishment may still be at risk.

The outcome of this appeal will also affect the business models of copyright societies. IPRS, which relies on licensing revenue from broadcasters and commercial users, may face a significant reduction in income if the Supreme Court rules in favour of hotels. Conversely, a decision upholding the High Court’s view could lead to a wave of new licensing demands from hotels across the country.

The government may also be prompted to amend the Copyright Act to provide greater clarity on the liability of intermediaries. The current definition of “public” under Section 2(z) of the Act does not explicitly exclude hotel rooms, but the legislative intent has been debated. The Supreme Court’s eventual judgment could settle this ambiguity.

Conclusion

The Supreme Court’s stay of the Calcutta High Court’s copyright licence mandate is a welcome, albeit temporary, relief for the hotel industry. It acknowledges the complexity of the legal issue and the potential for unintended consequences if the High Court’s interpretation were to apply universally. As the case progresses, all eyes will be on the apex court to balance the rights of copyright owners with the legitimate expectations of businesses that use standard broadcast services. Until then, hotels can continue to operate without the fear of infringement claims—provided they ensure their cable operators hold valid broadcast licences.

The judgment also serves as a reminder that copyright law must evolve with technology and business practices. The simple act of turning on a television in a hotel room may seem innocuous, but it raises profound questions about ownership, licensing, and the very definition of “the public.” The Supreme Court’s final word on this matter will likely shape Indian copyright jurisprudence for years to come.