IN THE HIGH COURT AT CALCUTTA
RAVI KRISHAN KAPUR, J.
Vodafone Idea Limited – Appellant
Versus
Saregama India Limited and Another – Respondents
CS Nos. 23, 155, 210 of 2018, CS No. 58 of 2024, (CS-COM No. 93/2024), (CS-COM No. 131/2024), (CS-COM No. 140 of 2024), IA No. GA/1 of 2018, IA No. GA/2 of 2018, IA No. GA/3 of 2018, IA No. GA/5 of 2022, GA Nos. 2, 3 of 2019, GA No. 4 of 2021
Decided On : 17-05-2024
| Table of Content |
|---|
| 1. common theme and consent of parties (Para 1 , 2 , 3) |
| 2. iprs established as copyright society (Para 4 , 5) |
| 3. obligation of vodafone to license (Para 7 , 8 , 9) |
| 4. arguments about ownership and licensing (Para 10 , 11 , 12) |
| 5. statutory amendments affecting authors' rights (Para 13 , 14 , 15) |
| 6. court orders regarding royalties and data disclosure (Para 27 , 30 , 31) |
JUDGMENT :
RAVI KRISHAN KAPUR, J.
1. All these suits and applications have a common theme and by consent of the parties were heard analogously.
2. Vodafone India Ltd. (Vodafone) is carrying on business of providing telecommunication services. In providing such services, Vodafone also offers its customers Value Added Services (VAS) inter alia in the form of pre-recorded Caller Ring Back Tone (CRBT) whereby any caller may select songs for personal listening or as caller tunes.
3. Saregama India Ltd. (Saregama) is a company incorporated under the provisions of the Companies Act, 1956 engaged in the manufacture, sale and publication of sound recordings including digital downloads which include both film and non-film songs.
4. Indian Performing Right Society (IPRS) is a company duly incorporated under the Companies Act, 2013 and is a copyright society within the meaning of section 33 of the COPYRIGHT ACT , 1957 (the Act). IPRS is also a non-profit body primarily established to protect and enforce the rights, interests and privileges of its members comprising of authors of original works, music composers and publishers associated with such works. Briefly, IPRS accepts from an author or owner exclusive authorization to administer any rights particularly in relation to literary and musical works by issuing licences and charging licence fees with the ultimate aim of protecting the collective interests of authors of such underlying literary and musical works.
5. The crux of the issue in these proceedings is whether Vodafone is required to obtain a separate licence from IPRS and pay royalty before commercially exploiting the musical and literary works of its members as part of the sound recording.
6. For convenience, the particulars of the proceedings filed by the respective parties are set out herein-below:
(b) In point of time, the next suit filed was CS No 155 of 2018 by Saregama inter alia seeking an injunction against Vodafone from exploiting the copyright in the sound recordings or allied copyright works in relation to VAS provided by Vodafone. In this suit, an application being GA 1 of 2018 has been filed seeking interim reliefs. GA 2 of 2018 has been filed by Vodafone inter alia seeking stay of the suit. GA 3 of 2018 has been filed by Vodafone seeking impleadment of IPRS in this suit. GA 5 of 2022 is an application filed by IPRS inter alia seeking impleadment in this suit and seeking restraint orders on the withdrawal of the sum deposited in terms of the order dated 1 October, 2018.
(c)
Adani Gas Limited vs. Union of India
Central Bank of India & Ors. vs. Workmen
Dattatraya Govind Mahajan v. State of Maharashtra
Devadoss v. Veera Makali Amman Koil Athalur AIR 1998 SC 750
IPRS vs. Eastern Indian Motion Pictures
Motiram Ghelabhai v. Jagannagar
Mackinnon Mackenzie & Co. Ltd. v. Audrey D'Costa
Principal Chief Conservator of Forests & Anr. vs. J.K. Johnson & Ors. (2011) 10 SCC 794
Sanghvi Jeevraj Ghewar Chand v. Secretary, Madras Chillies, Grains & Kirana Merchants Workers Union
AI
Commercial exploitation of musical works incorporated in sound recordings requires a valid license from copyright societies, affirming authors' rights to royalties under amended Copyright Act provisi....
The communication to the public of underlying literary and musical works as part of sound recording, under authorization/licence from owner of the copyright in the sound recording, does not require a....
The main legal point established in the judgment is the absolute and indefinite assignment of sound recording rights in cinematograph films, granting the appellant exclusive rights to play, use, and ....
The Court has the jurisdiction to fix interim rates under Section 31D of the Copyright Act, 1957.
Court allows continuation of previously established statutory licensing rates for sound recordings during litigation, emphasizing the necessity of maintaining status quo pending final rate determinat....
The main legal point established in the judgment is the requirement for a strong prima facie case and balance of convenience for obtaining an interlocutory injunction in copyright infringement cases.....
The Court emphasized the importance of a strong prima facie case and balance of convenience for obtaining an interlocutory injunction. It also highlighted the need for specific and valid copyright as....
The Plaintiff cannot issue licenses for sound recordings without being a registered Copyright Society as per Section 33 of the Copyright Act, 1957.
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