IN THE HIGH COURT OF JUDICATURE AT MADRAS
N.SENTHILKUMAR, J.
Palanivel Dhaksnamoorthy S/o Late R. Palaniandaver – Appellant
Versus
Raj Television Network Limited – Respondent
Appeal No. 2025 of 2025, C.S. (COMM DIV) No. 40 of 2025
Decided On : 12-12-2025
| Table of Content |
|---|
| 1. description of application and parties involved. (Para 1 , 2) |
| 2. arguments regarding rights and jurisdiction. (Para 3 , 5 , 6) |
| 3. court observations on evidence and agreements. (Para 4 , 10) |
| 4. counterarguments on rights and ownership. (Para 7 , 8 , 9) |
| 5. discussion on copyright assignment and jurisdiction. (Para 11 , 12 , 13 , 14) |
| 6. dismissing the application and upholding the injunction. (Para 15) |
ORDER :
1. This Application has been filed to vacate the order of injunction dated 31.01.2025 passed by this Court in O.A.No.94 of 2025 in C.S.(Comm.Div) No.40 of 2025.
2. The case of the Applicant is as follows:
2.1. The Applicant, who is the 1st defendant in the Suit, owns four YouTube channels viz., “Tamil Blockbuster,” “Blockbuster Movies,” “B4K Music” and “Bravo HD Movies.” He has filed this application to vacate the interim injunction already granted by this Court on 31.01.2025 in O.A. No.94 of 2025 in C.S.(Comm. Div.) No.40 of 2025.
2.2. The 1st Respondent/Plaintiff claimed that it owns exclusive copyright, including digital rights, over three old films viz., 16 Vayathinile, Kalangarai Vilakkam and Kudiyirundha Kovil. When those films were streamed on the Applicant/1st defendant’s YouTube channels, the 1st Respondent/Plaintiff sent notices. The Applicant/1st defendant responded to each notice stating that he had written permission from the original copyright owners, which include permissions from SRS Films on behalf of Mr.S.A.Rajakannu for 16 Vayathinile and permissions from Mrs.Shanthi Saravanan of Saravana Films for Kalangarai Vilakkam & Kudiyirundha Kovil. After these responses, YouTube reinstated the videos. After eight months, the 1st Respondent/Plaintiff approached the Court and obtained an order of interim injunction, due to which the Applicant’s channel content was removed on 03.02.2025.
2.3. The impugned order dated 31.01.2025 was an exparte order. The 1st Respondent/Plaintiff has no valid copyright over the films. The agreements relied upon by the 1st Respondent/Plaintiff dated 10.06.1999 and 23.03.2000 were signed with a firm viz., O.K.Films, represented by Mr.R.V.Mani. However, this firm was not the original copyright owner. The 1st Respondent/Plaintiff has not explained how O.K.Films acquired the rights in the first place. Without proving this essential detail, the 1st Respondent/Plaintiff cannot claim ownership or copyright over the films.
2.4. For the film 16 Vayathinile, the 1st Respondent/Plaintiff relies on an agreement dated 10.01.1993. However, that agreement is actually between Sree Amman Creation and Raj Video Vision and not Raj Television Network Limited, who is the Plaintiff in the Suit. Raj Video Vision and Raj Television Network are different entities, established in different years and operating in different business activities. Even their addresses differ from what has been shown in the Plaint. This raises serious doubts about the authenticity of the agreement and shows that the 1st Respondent/Plaintiff has misrepresented the facts in order to claim rights.
2.5. The 1st Respondent/Plaintiff cannot rely on Section 55 of the Copyright Act, as they failed to show valid copyright ownership. Without proving ownership, they cannot claim infringement.
2.6. This Court does not have jurisdiction under the Commercial Courts Act, 2015, as the Plaintiff has valued the suit only for Rs.4,000/-. For the cases concerning intangible rights, the law requires a minimum value of Rs.3,00,000/-. Thus, the suit itself is not maintainable before the Commercial Division.
2.7. The Applicant has a strong prima facie case. The balance of convenience is also in his favour because he has already removed all the videos and keeping the injunction in force will cause him irreparable loss, while the 1st Respondent will suffer no prejudice if the injunction is vacated.
3. The case of the 1st Respondent is as follows:
3.1. The 1st Respondent, who is the Plaintiff in the suit claims that he acquired rights from an “original copyr
Ownership of copyright requires valid chain of title; injunction granted based on prima facie ownership despite low plaint valuation under the Copyright Act.
The main legal point established in the judgment is the requirement for a plaintiff to prove their right to copyright ownership and exploitation rights, as well as the necessity to comply with the pr....
The court affirmed that copyright rights must be explicitly defined, and the authorization for theatrical and satellite exhibition are separate, concluding the plaintiff could not claim satellite rig....
The central legal point established in the judgment is the requirement for the party alleging undue influence to prove the same, the consideration of inadequacy in determining consent, and the interp....
The main legal point established in the judgment is the requirement for a strong prima facie case and balance of convenience for obtaining an interlocutory injunction in copyright infringement cases.....
The Court emphasized the importance of a strong prima facie case and balance of convenience for obtaining an interlocutory injunction. It also highlighted the need for specific and valid copyright as....
The burden of proving ownership of copyright lies with the plaintiff, and failure to disprove the defendant's contentions can lead to dismissal of the suit.
The main legal point established in the judgment is the absolute and indefinite assignment of sound recording rights in cinematograph films, granting the appellant exclusive rights to play, use, and ....
Login now and unlock free premium legal research
Login to SupremeToday AI and access free legal analysis, AI highlights, and smart tools.
Login
now!
India’s Legal research and Law Firm App, Download now!
Copyright © 2023 Vikas Info Solution Pvt Ltd. All Rights Reserved.